One of the planning conditions attached to the redevelopment of the Carriageworks states that no development shall take place until the developer has secured the implementation of a programme of archaeological work. This is to ensure that archaeological remains and features are recorded prior to their destruction.
Commonly ‘archaeology’ is synonymous with ‘old’. So on the Carriageworks site it might include traces of the Civil War, foundations of buildings previously on the site, remains from previous uses of the Carriageworks building etc. But what about evidence of more recent activity?
Back in 2010 archaeologists John Schofield and Rachael Kiddey worked with a group of rough sleepers to excavate Turbo Island on Stokes Croft and explore the history of one of Bristol’s small but infamous plots of land. It culminated in A History of Stokes Croft in 100 Objects that encompassed everything from the traditional fragments of buildings, pottery and pipes through to modern syringes, all of which contribute to the history of the site. John Schofield, now Professor at the University of York, went on to describe, somewhat notoriously, the importance of the Sex Pistol’s graffiti at 6 Denmark St in London as comparable to 30,000 year old cave painting in Lascaux. Historic England have now listed the building. So archaeology can be modern as well as old – and it both aids our current understanding and documents our recent lives for the benefit of generations to come.
So what does this mean for the Carriageworks and its neighbour Westmorland House which is due for demolition? The derelict office block has provided a canvas for many street artists since the 1990s some of whom have gone on to greater things while others simply commented on the local environment at the time; “choking on your fumes”.
We hope that the archaeological recording, to be undertaken by Bristol and West Archaeological Services, will pay attention to the modern as well as the old.